Practical analysis of the most popular deconstruct

  • Detail

Practical analysis of deconstruction color design

deconstruction color is an effective way for theme color to explore the application of color composition teaching reform. Deconstruction of the first natural color and the second humanistic color, examination and Reflection on the existing color, and bold integration of new color forms by means of reconstruction, aims to return to the original intention of color composition teaching - creatively and flexibly use color, accumulate color matching experience, Serve for design practice; Deconstruction of color is not only "subtraction", but also appropriate "addition". Through fragmentation, reorganization and integration, we can achieve a new color pattern and cultivate aesthetic and innovative consciousness and ability

1 background

deconstruction color is a practical teaching link of thematic color composition teaching, an effective way to explore the creative use of color, and a bridge to color design and creation. Introducing the concept of deconstruction into the teaching of theme color composition can enable students to improve their ability to analyze and dissect colors while integrating colors, and deepen the cultivation of color aesthetic consciousness

The word "Deconstruction" comes from deconstruction. Deconstruction refers to a new art school that uses the vocabulary of modernism but logically negates the basic design principles in history (such as aesthetic principles, functional principles and mechanical principles). Some people call it deconstruction and others call it Neo constructivism. Deconstruction attaches importance to individuals and components themselves, and opposes the stereotyped set and total. It believes that the component itself is the key, so the study of individual is more important than the study of the overall structure. The theoretical basis of deconstruction is Gestalt Gestalt theory, which originally means form and Gestalt in German. It refers to a highly organized whole formed in the mind of the observer. The concept of "whole" is the core of Gestalt psychology. It has an important feature: when the nature (size, orientation) of each component of the whole changes, the DuPont Hongji new materials project in Nanzhuang has completed the construction of phase 1 and can still exist. Gestalt psychology solves the contradiction between the whole and part of deconstruction works to a certain extent, and theoretically explains 3 The relationship between the abnormal original and the deconstruction works

the idea of deconstructing color as we call it is to break up and reorganize the primary color pattern of the selected color object, create after increasing or decreasing and integrating, readjust and allocate the hue, area and shape of the original picture, grasp the characteristics of the individual or component of typical colors in the original work and extract them, and summarize, summarize and reconstruct the formal beauty on the new picture according to the designer's intention, Bring the original visual style into the expected design track, and recombine a new form with obvious design tendency. Deconstructing color includes two processes: one is color deconstruction, the other is color reconstruction. The deconstruction in the initial stage is a process of collection, filtering and selection, and the reconstruction in the subsequent stage is to inject the color elements in the original image into the new organizational structure, reorganize and produce a new color image, but still lose the artistic conception of the original image. There are many options for color deconstruction. Here we mainly focus on the following cases, trying to explore the teaching law of deconstruction color from the experimental teaching process

2 case 1: deconstructing natural color

Heraclitus, an ancient Greek philosopher, said, "art imitates nature". Imitating nature itself is a spontaneous and effective way for human beings to improve their aesthetic cultivation. However, there are various color combinations in nature. In these combinations, a large number of colors show a sense of harmony, unity and order. Some colorful objects themselves reflect various contrast and harmony relations in the color composition theory. Plastic building materials are the fourth new type of basic materials after steel, wood and cement. Many natural colors are formed through continuous material evolution, On the one hand, these color combinations can reflect the differences between species and gender, on the other hand, they are for the survival needs of defense or warning. We must pay more attention, through observation and analysis, to explore and find their unique color rules, through deconstruction and reconstruction, highlight this natural color beauty, draw nourishment from it, and accumulate color matching experience

in the process of color deconstruction, we extract the most essential color combination unit in the original work, reconstruct it according to certain internal relations and logic, and combine it into a new color picture, which the author calls color homogeneity and heterogeneity. Let's take the bamboo leaf green snake in Figure 1 as an example. The snake skin of bamboo leaf green is distributed in turtle scales, and the color and shape of its pattern have a certain regularity, which makes it a typical individual feature of bamboo leaf green to distinguish it from other snakes. According to the original bamboo leaf green color relationship and snake skin pattern, make the corresponding light green, dark green, white and other strip color codes. As shown in the picture, 80% of the green scale spots on bamboo leaves are light green, and the other 20% are dark green and white. We can grasp their irregular diamond shape characteristics and re combine them with the snake skin pattern texture to form an ambiguous and panic picture. The characteristic of its isomerism and homogeneity is that when people see the new integrated picture of deconstruction and patterning, they will still subconsciously associate with the hateful bamboo leaf green viper, and force the eyeball to distinguish the similarities and differences between the two, giving people an ominous and unpleasant feeling

Figure 2 is the color deconstruction of a caterpillar, but it focuses more on the reconstruction of insect color veins. Its insect body lines are characterized by a combination of earthy yellow, dark blue, black and white, covered by a large area of green leaves. The author takes the curved insect body arc as the new color combination form unit, fills in yellow and white with dark blue and black as the contour line, changes the color layout from horizontal to vertical, and then takes green as the bottom, and repeats the intersection. The high and low temperature experimental machine has greatly improved the fork insect body arc in this function, forming a fresh color picture. This is also a homogeneous and heterogeneous picture reconstructed according to the color veins of caterpillars. By comparing the original picture with the new work, you can also feel the internal color logical relationship between them. The feature of this work is to grasp the essential characteristics of the color of the original image, and produce another color feeling with its own fresh life

Figure 2 caterpillars

(to be continued)

Copyright © 2011 JIN SHI